Photography by Gaz Williams

CV & Bio

I have a pretty good idea how I want to finish this module with an exhibition, backed up by a book and website which might seem to be a scattergun approach, just doing everything possible, but I can see the three working together in this, a local project with local interest. Much of the work will be in the practicalities such as ensuring that all the building blocks are in place and that will determine how I approach this module.

Part of this section of the module looks at the personal information required by an artist to show to prospective clients or audiences in form of a CV, Bio and Artist Statement. Since the main part of this section involves making contact with external professionals it seems a sensible time to get them ready before I need them – a very rare method of working for me – but it allows me to break the module into manageable chunks.

Taking the personal documents in order:


The notes suggest that a CV should include

  • Your name and contact details
  • Website/blog
  • Education
  • Awards
  • Publications
  • Exhibitions
  • Work experience
  • Commissions
  • Charity work
  • Residencies
  • Teaching experience
  • Gallery experience
  • Assisting
  • Writing

When I was working in the real world my role as an IT consultant required that I had a CV ready at all times and this CV would be tweaked according to the requirements of the client. I had a library of sections or paragraphs that could be put together to emphasise particular experiences that might be of particular interest but I’m not sure how much of that would be of any interest to a curator or magazine picture editor. Nor am I sure how my education qualifications would hold any interest, after all, what use is a maths degree to a photographer?

As far as publications are concerned I’ve had images used by travel companies as full page spreads in the Guardian, Observer, Country Life, Amateur Photographer and Simple Things magazine as well as being the cover image for their brochures but those are for a specific  market. In my experience a CV needs to be targeted for the audience so I’m not sure that experience in that area would be relevant for obtaining exhibition space.

Also published was this image after it came second in a competition. It became my most copied image ever with over a thousand hits in Google at the time. Most of the hits were on blogs or it was being used as an avatar but a couple of sites were printing it onto mugs, place mats, towels etc!! By the time I found out both sites had already been closed down by other disgruntled photographers whose work had been pinched but it was an interesting learning experience.

The course notes suggest that we should include details of any prizes won or any images bought, both of which I can include but again, I’m not sure of the relevance to a CV.

Charity work is a possibility but the only relevant experience that I can conceive of is taking pictures while working on a cheetah conservation project in Namibia, again, not too relevant!

Perhaps a Bio will be easier!


Again the notes suggest

Some good questions to base your biography around could be:
• Where are you from? Has it influenced who you are today?
• How has your creative life evolved?
• What is your primary interest in life? What is important to you?
• What is your work about?
• What issues do you care about?
• What achievements are you proud of?
• What impression do you hope people will have of you in the first five minutes of meeting
• How would you like to work with people/connect with them?

Although I have far less experience of writing a Bio this seems far more applicable to the way that I want to move forward in photography. Most of my CV details would be wasted in an arts environment but I can understand how it would be relevant for a curator to understand where I get my inspiration from or why I want to create a particular portfolio. In actual fact, answering some of the questions above is interesting for myself to understand where I’m going with this.

For example, I was brought up in North Wales, on the coast but with ready access to the wilds of Snowdonia so wildlife and the rugged countryside still resonate with me and drive my photography – or at least it would if I lived near rugged countryside ! As it is I have to make do with exploring my local area but looking at it in ways that a “typical” tourist might not.

I’ve been looking at a few examples of Bios on the websites of some photographers that have influenced or intrigued me so I’ll look at them in the next post





Almost there

So now it’s onto the final module. It’s taken me a long time to get through all of the OCA Photography Degree course simply because I’ve been treating as a hobby, something to give me some focus in my retirement. That’s meant that I’ve been happy to do it in my own time, enjoying the journey without getting too stressed by deadlines and objectives. However, despite my best efforts at slowing things down, I’ve arrived at the final module, Sustaining Your Practice (SyP).

I actually got the module notes a few months ago and have been vaguely working at it while finishing Body of Work and Contextual Studies. I didn’t start writing things up or start following the course notes until those modules were complete, partly because I didn’t want to confuse things also, because I wanted to see how I did in those two courses. This was largely due to a slight lack of confidence in my work, if it was rubbish how could I face taking it out to a wider audience? However, I had read the notes and begun preparing for the module by creating contacts etc.

As it happened both modules were graded at middle/high 2:1s so, when I take the work out, I will at least know that the assessors didn’t think that it was rubbish irrespective of the views of the audience which will give me some confidence.

It’s seems a sensible place to look at the aims of the module so …

The aims of this course are to:

support you in developing a detailed knowledge of the photography market and photographic industry
develop your awareness of ethical considerations in relation to professional codes of conduct.
develop the interpersonal, professional and business skills necessary to operate successfully in a commercial photographic environment within ethical boundaries
help you publish and disseminate your body of work by developing professional relationships with markets and audiences
further develop your critical, analytical and evaluative skills so that you can identify and develop opportunities in your professional practice

On successful completion of the course you’ll be able to:

demonstrate comprehensive knowledge of the photography market and the commercial dimensions that underpin a successful photographic practice
fully evaluate the ethical considerations of professional codes of conduct
operate in complex commercial contexts requiring the application of specific interpersonal, professional and business skills
disseminate your body of work by establishing relationships with audiences, clients and markets with minimum guidance
analyse, review and evaluate information relevant to your professional practice and identify opportunities for professional development.

Having said that, the main objective of the module would seem to be the publication of my portfolio from Body of Work, the previous module, or a modified version of that based on feedback. Months ago I asked my tutor on a couple of occasions whether it had to the the portfolio of Body of Work but I still haven’t had a response so I’m going ahead with the assumption that I can include other portfolios, i.e. I may present two or even three portfolios to the outside world.

The reason for this is simply that my favourite genre has always been wildlife with Andy Skillen and David Yarrow being two of the wildlife photographers that I most admire. I’d quite like to get feedback on, and present, my own wildlife portfolio at the same time as I progress with SyP though I appreciate that it might have to be outside of the main assessment process. Still, if the objective is to get my work “out there” I don’t suppose that anybody could complain if I attempted a multi-pronged approach.

The first part of this module concentrates on building a network of contacts in the industry and obtaining feedback from said contacts. In the next post I’ll recap how I’ve been doing this already, albeit on an informal basis, before I build a more formal network and look for more formal or professional feedback