The main purpose of Sustaining Your Practice seems to be the development of the student’s commercial and professional skills, preparing him or her for the outside world after the protected environment of the College. In many ways the structure of SyP is overly rigid for this and I’m sure that it’s not the intention of the College that the student sticks rigidly to the constraints of the course so long as they demonstrate the requisite skills and, at the very least, use SyP as a guideline structure.
With this in mind I fully intend to have two exhibitions, one on my mainstream BoW work and a second on my wildlife images but I’ll cover this elsewhere. One of the aims of SyP is to enable the student to build up a network of contacts and I’m doing that through my BoW reviews, the exhibition and the publicity for that exhibition. In addition, I’m getting my wildlife portfolio reviewed but this post covers the third strand of my burgeoning network, that of travel photography.
I enjoy travelling and I’m fortunate in that I’m able to travel fairly frequently so, it seemed a natural progression to merge two of my interests, travel and photography, to further develop my “network” and find other outlets for my work.
Throughout the years of my degree course I’ve tried to avoid being buttonholed into one genre or field but it could be said that I’m diluting my skills and my efforts. Howver, I can see plenty of overlap between landscape (BoY), wildlife and travel photography so why not make use of all three?
With this in mind I turned to a contact of mine, Caroline Dickinson, the Marketing Planning manager at Inntravel. For those that have not come across the company they facilitate walking and cycling holidays where the traveller walks or cycles between hotels, following a planned route, while the luggage is transferred to the next hotel. I’ve been on 8 or 9 of their holidays and cannot fault them at all.
I created a PDF, similar to the BoW Review PDF and asked Caroline if she’d mind reviewing them with a critical view from the travel industry.
A grid of the images can be seen above but the Travel PDF which links to the fullsize images can be viewed here.
Caroline was happy to oblige and provided me with extensive feedback for which I’m extremely grateful. Her overall review follows and is exactly the response that I was looking for in entering the very competitive, travel market. Obviously it is a difficult market to break into but Caroline’s comments, particularly coming from somebody in her role, are extremely encouraging.
The selection of images shows a real talent for capturing people and a ‘moment’ in time. I don’t know the timeframe on when the images were shot but there is certainly more skill shown in some than others which would lead me to believe that the photographer has learnt new skills during their time taking them.
In terms of using them for travel they are excellent examples of travel related photography be it places or people and inspire you to go to the location and experience the sights for yourself. I have personally used one as a main focus on an advertising campaign and would certainly use others that are relevant to the destinations we go to.
She kindly gave me detailed feedback on the individual images and a couple in particular are worth mentioning here ( I would include them all as she was very complimentary but …)
Image 6 – lone man walking up the road
The scale of the landscape behind the man is fabulous, he is captured and you instantly see him then look beyond to the winding road, the mountains, the small homesteads. Beautifully captured and great composition. A moment in time certainly and you want to see this/encounter it for yourself.
For me the key phrase was “moment in time … you want encounter it for yourself” – exactly what I was trying to achieve and that I assume is the crux of travel photography.
Just to show that Caroline was critical as well.
Image 9 – Coastline
The different colours from the very dark sea to the brighter blue sky really contrast each other while your eye is drawn to the brilliant white of the light reflection along the body of land sticking out into the sea. It just is lacking slightly in a main focal point as the body of land is very strong but there is also a strong cloud line in the sky and something within the sea so it just distracts from the overall image a little
I’ll also include this element of her feedback simply because of her comment about the “story within the shot“. I love it when somebody sees such a story in an image that I’ve made. I too, can see a story here but what intrigues me is how many different stories the different viewers have made up, are they all the same, is the story real?
Image 3 – buddists in temple
Very striking image – the three older men in discussion while the young boy is looking in wonder at something that we can only guess at – a great story within this shot certainly. This has captured a wonderful moment within the image and also the old and the new when you see within the image the old stone steps then the new wooden steps by the adult men. The clarity of the image is amazing.
Anyway, many thanks to Caroline (and to Inntravel) for her help – it was much appreciated.